Martin Schongauer. The Death of the Virgin. 1465–1475. Germany. Engraving in black on ivory laid paper In this touching interpretation of the death of Jesus’s mother Mary, Martin Schongauer displays a painter’s sense of light and shadows. He outlines the figures and fabric folds with a continuous line, implying volume and depth through fine hatching, following the contours of his was the first graphic artist from Germany originally trained as painter. When he decided to make engravings, a logical choice given that his father was a goldsmith, Schongauer was not constrained by t
Martin Schongauer. The Death of the Virgin. 1465–1475. Germany. Engraving in black on ivory laid paper In this touching interpretation of the death of Jesus’s mother Mary, Martin Schongauer displays a painter’s sense of light and shadows. He outlines the figures and fabric folds with a continuous line, implying volume and depth through fine hatching, following the contours of his was the first graphic artist from Germany originally trained as painter. When he decided to make engravings, a logical choice given that his father was a goldsmith, Schongauer was not constrained by traditional techniques. Executed with conviction and compositional clarity, Schongauer’s masterful engravings were widely distributed, influencing generations of printmakers.
Size: 1996px × 3000px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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