The unbelieving Thomas H. Thomas kneeling, feels wound Christus. Manufacturer unknown: Master Delbecq-Schreiber-Passion (attributed to) unknown : Master of Delft (attributed to) unknown: Master of the Virgo inter Virgines (attributed to) Place manufacture: the Netherlands Date: 1490-1500 and / or 1503 Physical characteristics: wood block material: paper Technique: wood block dimensions: image: h 90 mm × b 68 mmToelichtingEén sheet 113 from Ludolph the Saxonia, this es dleué us loly gentlemen ihesu christi. Anonymous Dutch translation. Published by Henrick Eckert Homberch of Antwerp in 1503. B
The unbelieving Thomas H. Thomas kneeling, feels wound Christus. Manufacturer unknown: Master Delbecq-Schreiber-Passion (attributed to) unknown : Master of Delft (attributed to) unknown: Master of the Virgo inter Virgines (attributed to) Place manufacture: the Netherlands Date: 1490-1500 and / or 1503 Physical characteristics: wood block material: paper Technique: wood block dimensions: image: h 90 mm × b 68 mmToelichtingEén sheet 113 from Ludolph the Saxonia, this es dleué us loly gentlemen ihesu christi. Anonymous Dutch translation. Published by Henrick Eckert Homberch of Antwerp in 1503. Botke, K. This 113 woodcuts, which typically have been used in early Dutch book, attributed to the second Master of Delft, the Master Delbecq-Schreiber-passion and the Master the Virgo inter Virgines. Conway (1884) and The golden compass (1951) are also included previous versions. Botke, K. Subject Thomas touching or stretching out his hands to touch the wound in Christ's side, sometimes leading Christchurch Thomas' hand and right
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