. Programme . on, is short and free. The first motive is worked, but there isa new thematic figure towards the end. The third section is areproduction of the first, except that the new figure of the freefantasia appears. There is a long and brilliant coda. Ballet 5, Adagio, B-flat major—Andante quasi Allegretto 6-8 isthe second movement in the second part. Solo flute, solo clarinet,solo bassoon, solo violoncello, and solo harp are supported by stringsin the Adagio. Two horns, another bassoon, and another clarinetare used later. The overture to The Creatures of Prometheus was played in anarrang
. Programme . on, is short and free. The first motive is worked, but there isa new thematic figure towards the end. The third section is areproduction of the first, except that the new figure of the freefantasia appears. There is a long and brilliant coda. Ballet 5, Adagio, B-flat major—Andante quasi Allegretto 6-8 isthe second movement in the second part. Solo flute, solo clarinet,solo bassoon, solo violoncello, and solo harp are supported by stringsin the Adagio. Two horns, another bassoon, and another clarinetare used later. The overture to The Creatures of Prometheus was played in anarrangement for two pianofortes by G. J. Webb and H. W. Grae-torex at a concert of the Boston Academy of Music on January 9,1839. PIEPvCE-ARROW DUAL VALVE SIX THE Dual Valve has almost doubled the Pierce-Arrow. It has morepower, greater speed, increased acceleration, less gear shifting, takes hillswithout effort, uses less gasoline, and runs smoother, quieter and is the old Pierce-Arrow greatly AGENTS FOR EASTERN MASSACHUSETTSWORCESTER COUNTY AND NEW HAMPSHIRE 741-743-745 BOYLSTON STREET TELEPHONE. BACK BAY 2316-2317 BOSTON 165 The overture was played by an orchestra at a concert of thesame society on December 28, 1844. The other selections were asfollows: Auber, overture to Lestocque; Rousseau-Vogler, Trichor-dium; Spohr, larghetto from Double Quartet; Mayseder, violin solo(Mr. Keyzer) ; Beethoven, Symphony No. 8. The overture was performed at g, concert of the Boston MusicalFund Society on January 3, 1852. These performances were given in Boston by Theodore Thomassorchestra:— Adagio No. 5, October 29, 1869; April 6, October 12, 1870; Jan-uary 11, 1871; April 6, November 30, 1872; December 4, 1873; April18, 1876. Finale, December 23, 1871. Overture, May 14, 1881. Allegro vivace. Adagio, Allegro pastorale, April 20, 1870. Harvard Musical Association: Overture, February 4, December16, 1869; December 7, 1875; March 15, 1877; January 30, 1879. Andante and Adagio
Size: 2315px × 1080px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881
