. History of lace. Pinto a Giimim (Knotted Pi^int). 7. Punto a maglia quadra.—Lacis ; square nctting,^^ themodano of the Tuscans. (Fig. 24.) This Tuscan sort was not generally emljroidered ; thepattern consists in knitting the meshes together in different ^ Taglienti (1530) \i2JS, groj)^,more-schi, and araheschi; and II S^ecchio(1548), 2^07iti gropj^osi. See also theSforza Inventory, 1493. ^^ See Genoa. ^^ Taglienti (1530) gives a magliaia,Parasole (1600) lavori cJi To face page 52. VENICE 53 shapes. It was much used for hangings of beds, and thosecurtains placed across the windows, c

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. History of lace. Pinto a Giimim (Knotted Pi^int). 7. Punto a maglia quadra.—Lacis ; square nctting,^^ themodano of the Tuscans. (Fig. 24.) This Tuscan sort was not generally emljroidered ; thepattern consists in knitting the meshes together in different ^ Taglienti (1530) \i2JS, groj)^,more-schi, and araheschi; and II S^ecchio(1548), 2^07iti gropj^osi. See also theSforza Inventory, 1493. ^^ See Genoa. ^^ Taglienti (1530) gives a magliaia,Parasole (1600) lavori cJi To face page 52. VENICE 53 shapes. It was much used for hangings of beds, and thosecurtains placed across the windows, called stores by theFrench, and by the Italians, stuora.^^ 8. Burato.—The word means a stiff cloth or canvas{toille clere of Taglienti, 1527), on which the pattern isembroidered, reducing it to a kind of rude lace. One of the Fis. 24.

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Keywords: ., bookcentury1900, bookdecade1900, booksubjectlaceand, bookyear1902