Saints Procopius and Adalbert ca. 1340–50 Bohemian After Prague became the capital of Bohemia and the seat of a new archbishopric in the mid-fourteenth century, the city’s artists were often called upon to depict the heroic saints of the realm. This precious panel, intended for private prayer, shows Procopius, the sainted Slavic abbot (at left) and Adalbert, the first bishop of Prague (at right). It was originally paired with a second panel, likely representing "good king Wenceslas" and Saint Vitus, patron of Prague stylistic hallmarks of painting in Prague emerged very quickly a

Saints Procopius and Adalbert ca. 1340–50 Bohemian After Prague became the capital of Bohemia and the seat of a new archbishopric in the mid-fourteenth century, the city’s artists were often called upon to depict the heroic saints of the realm. This precious panel, intended for private prayer, shows Procopius, the sainted Slavic abbot (at left) and Adalbert, the first bishop of Prague (at right). It was originally paired with a second panel, likely representing "good king Wenceslas" and Saint Vitus, patron of Prague stylistic hallmarks of painting in Prague emerged very quickly after the establishment of a painter’s guild in 1348 and are evident here in the vibrant palette, subtle modeling of the faces, elongated fingers, and delicately punched haloes. Bohemian artists typically painted on linen over panel; the black outlines of the drapery are also Saints Procopius and Adalbert 479791

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