New York in fiction . THE OLD MILL. — GEOFFREV CKAYOnS CHRONICLES. low. The old Mott homestead, believedto have been the home of Katrina VanTassel, was recently destroyed. Theschoolhouse in which Ichabod Crane 210. flocks of wurre ducks paddling togethfr.— v. horkinsonsmiths a day at laguekres. NEW YORK TN FICTION taught and which was harassed by BromBones and his wild cronies, has alsopassed away. Near by we find theruins of the haunted mill of GeoffreyCrayons Chronicles. V. GREENPOINT—SCENES OF ^TOM GROGAN In An Anibitioas Woman Edgar Faw-cett gave us a description of an outlyingportion of N
New York in fiction . THE OLD MILL. — GEOFFREV CKAYOnS CHRONICLES. low. The old Mott homestead, believedto have been the home of Katrina VanTassel, was recently destroyed. Theschoolhouse in which Ichabod Crane 210. flocks of wurre ducks paddling togethfr.— v. horkinsonsmiths a day at laguekres. NEW YORK TN FICTION taught and which was harassed by BromBones and his wild cronies, has alsopassed away. Near by we find theruins of the haunted mill of GeoffreyCrayons Chronicles. V. GREENPOINT—SCENES OF ^TOM GROGAN In An Anibitioas Woman Edgar Faw-cett gave us a description of an outlyingportion of New York strikingly adequatein its scope and conviction. Of Green-point he says that its sovereign dreari-ness still remains. He dwells at lengthon its melancholy, its ugliness, its torpor,its neglect. To him it always had acertain goblin hideousness keenly pic-turesque. When writing An Ambit ionsWoman he went time and time again toGreenpoint to study its conditions andatmosphere, — to get all its tragi-comicsuggestiveness well in memory. Thebackground of the story — the black,loamy meadow, and the sodden bridge, 213 NEW YORK IN FICTION and the little inky creek, and the iris-necked flock of pigeons,
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