. International studio. e as the strong-limbedtrees or the mirrorlike does he let this inter- an idyll est intrude or become in any wise dominant; neverin Mr. Easts pictures is sentiment allowed to dribbleinto sentimentality. Rather does it seem that animagination both rare and vital had escaped thebonds of reticence and thus subtly compelledexpression. Mr. East was born at Kittering in 1849 ^^^ ^^stattended the Government School of Art at Glasgow,after which he studied in Paris at the Ecole desBeaux Arts and under M. M. Tony Fleury andBouguereau. He is an etcher as well as a painte
. International studio. e as the strong-limbedtrees or the mirrorlike does he let this inter- an idyll est intrude or become in any wise dominant; neverin Mr. Easts pictures is sentiment allowed to dribbleinto sentimentality. Rather does it seem that animagination both rare and vital had escaped thebonds of reticence and thus subtly compelledexpression. Mr. East was born at Kittering in 1849 ^^^ ^^stattended the Government School of Art at Glasgow,after which he studied in Paris at the Ecole desBeaux Arts and under M. M. Tony Fleury andBouguereau. He is an etcher as well as a painter,and was represented in the oil painting, watercolor and black and white sections of the Britishart exhibition in the great Franco-British Expo-sition at Shepherds Bush last summer. His pic-tures are owned by many important galleries,among which may be named those of the cities ofVenice, Manchester, Liverpool, Birmingham andLeeds, and the national galleries of Italy, Belgiumand France. He is a member of several distin-. BY ALFRED EAST, LXXV The Tiffmiy Httdsoti-Fulto^i Spoon
Size: 1434px × 1742px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
