. Programme . ort. The fiend assureshim that a damsel tastes better than a folio, and Faust answersthat for some reason or other his blood is boiling. A black-eyedpeasant girl maddens him at first sight, but Faust does not dare togreet her. Mephistopheles laughs at him, who has just had it outwith hell, and is now shamefaced before a woman. The musiciansdo not please the fiend, and he cries out: My dear fellows, youdraw a sleepy bow. Sick pleasure may turn about on lame toes toyour waltz, but not youth full of blood and fire. Give me a fiddle:it will sound otherwise, and there will be differen
. Programme . ort. The fiend assureshim that a damsel tastes better than a folio, and Faust answersthat for some reason or other his blood is boiling. A black-eyedpeasant girl maddens him at first sight, but Faust does not dare togreet her. Mephistopheles laughs at him, who has just had it outwith hell, and is now shamefaced before a woman. The musiciansdo not please the fiend, and he cries out: My dear fellows, youdraw a sleepy bow. Sick pleasure may turn about on lame toes toyour waltz, but not youth full of blood and fire. Give me a fiddle:it will sound otherwise, and there will be different leaping in thetavern. And Mephistopheles plays a tune. There is wild dancing. BUTTEl OriginalDanish Formula AN ARTICLE OF EXCELLENCERECOGNIZED BY PARTICULARPEOPLE—AT MOST GOOD SHOPS H. G. CUSHMAN 136 State Street, Boston Main 4248 New England Distributor ITS SALADA ORANGE PEKOE AT BREAKFAST,DINNER, SUPPER At Special FIVE OCLOCKS and every other time and placewhere a cup of tea IN PERFECTION is Bs69 BLACK, GREEN OR MIXED •- Sealed Packets Only 635 so that even the walls are pale with envy because they cannot join inthe waltz. Faust presses the hand of the dark girl, he stammersoaths of love. Together they dance through the open door, throughgarden and over meadow, to the forest. Fainter and fainter areheard the tones of the fiddle: they are heard through songs of birdsand in the wondrous dream of sensual forgetfulness. The basses begin the waltz rhythm with long-continued emptyfifths, while the first violins indicate the rhythmic movement of thechief theme, to the full enjoyment of those that are enamoured withrealistic dissonances. The chief theme is characterized Rustico,marcato. The dance grows wilder and wilder. An amorous waltztune is then giveli to the solo violoncello. The oboe has a seductiveair to a fantastic tremolo figuration of the strings. Mephistophelestriumphs, and shrieks with glee in his mockery of Fausts loveecstasy. There are two ending
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Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881
