A descriptive catalogue of the pictures in the Fitzwilliam museum, comp largely from materials supplied by Sidney Colvin .. . 407 Linton.] CATALOGUE OF PICTURES I 19 I. 265. An Italian Palace. A plain building, with red roof, squarewindows and one tower; to r. and 1. trees, which overtop the figures walk along the path towards the door and two stand atthe door; two more at r. corner, one of whom is seated under a tree. Signed at bottom r. cntic Cint ~bitto Stubit ft Aotna /?+% . Canvas, i if by 1 5|. Mesman. LINTON. William Linton. British School, 1791—1876. Landscape painter;


A descriptive catalogue of the pictures in the Fitzwilliam museum, comp largely from materials supplied by Sidney Colvin .. . 407 Linton.] CATALOGUE OF PICTURES I 19 I. 265. An Italian Palace. A plain building, with red roof, squarewindows and one tower; to r. and 1. trees, which overtop the figures walk along the path towards the door and two stand atthe door; two more at r. corner, one of whom is seated under a tree. Signed at bottom r. cntic Cint ~bitto Stubit ft Aotna /?+% . Canvas, i if by 1 5|. Mesman. LINTON. William Linton. British School, 1791—1876. Landscape painter; bom in Liverpool in 1791. He was placed in a merchants office,but soon turned to art, and in 1817 exhibited at the Academy. He was one of the foundersof the Society of British Artists. He belonged to the classical school of landscape paintersand was first inspired by the works of Claude and Wilson. He travelled much and mostof his later works are landscapes in Italy and Greece, often with representations of classicallegends. In 1856 he published The Scenery of Greece and its Islands, with fifty fine steelengra


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Keywords: ., bookcentury1900, bookdecade1900, booksubject, booksubjectpainting