Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right), c. 1770-1775. A beguiling artist with a brief career, Brown is known for a small group of monochromatic drawings imbued with sinister overtones. At the age of 20, the Scottish artist traveled to Italy where he spent the next 12 years. This drawing exemplifies his Roman street scenes which often depict women dressed in spectacular, billowing costumes. Here, a coquette with bare ankles and plunging décolletage is surrounded by a crowd of vulgar types who leer, ogle, judge, and scorn. The rever
Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right), c. 1770-1775. A beguiling artist with a brief career, Brown is known for a small group of monochromatic drawings imbued with sinister overtones. At the age of 20, the Scottish artist traveled to Italy where he spent the next 12 years. This drawing exemplifies his Roman street scenes which often depict women dressed in spectacular, billowing costumes. Here, a coquette with bare ankles and plunging décolletage is surrounded by a crowd of vulgar types who leer, ogle, judge, and scorn. The reverse of the sketchbook sheet includes two independent drawings: a study of faces in fierce and intense expressions, and a pair of women wearing swirling gowns. One figure raises her hand in a mysterious gesture that casts a shadow on her throat resembling a claw. Whether the viewer is being beckoned or forewarned remains a mystery.
Size: 6256px × 4481px
Photo credit: © Heritage Art/Heritage Images / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: 1752-1787, 18th, art, black, british, brown, brush, century, cleveland, drawing, england, graphite, gray, heritage, john, museum, point, wash
