Armchair 1792–97 Attributed to Adam Hains Among the French émigrés who arrived in Philadelphia and New York City in the 1790s were artisans, including upholsterers and cabinetmakers, who brought French styles and techniques that were adopted by local craftsmen for their patrons who desired furniture in the French taste. This upholstered armchair with its gently curved back is based on a late Louis XVI fauteuil en cabriolet. The mahogany frame is attributed to a Philadelphia cabinetmaker; the French-style upholstery may be by George Bertault, who advertised himself in a Philadelphia newspaper i

Armchair 1792–97 Attributed to Adam Hains Among the French émigrés who arrived in Philadelphia and New York City in the 1790s were artisans, including upholsterers and cabinetmakers, who brought French styles and techniques that were adopted by local craftsmen for their patrons who desired furniture in the French taste. This upholstered armchair with its gently curved back is based on a late Louis XVI fauteuil en cabriolet. The mahogany frame is attributed to a Philadelphia cabinetmaker; the French-style upholstery may be by George Bertault, who advertised himself in a Philadelphia newspaper in 1793 as an "upholsterer from Paris." The original upholstery foundations survive beneath the modern cover fabric; the crisp, squared shape of the front seat and chair back, which follows the outline of the frame, was called a "French edge." The high padding on the "elbows" was also a French upholstery Armchair. American. 1792–97. Mahogany with ash. Made in Philadelphia, Pennsylvania, United States

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