. A short history of art . tal, nature. Meanwhile, to hispowerful and fluent rendering of form he adds a skill incolour and the rendering of light. Klinger (1857- ) Akin to Stucks, but of a more profound and subtlepsychology, is the work of Max Klinger. He is a thinker,poet, and musician J as well as painter; varying in subjectfrom what is lovely to what is terrible, from scenes of Hellenicbeauty or of the witchery of German forests to naturalism ofthe Zola type or to a fancy as demoniacal as Goyas. Bocklin (1827-1901) Very Teutonic in the quality of his imagination is ArnoldBocklin, who was b
. A short history of art . tal, nature. Meanwhile, to hispowerful and fluent rendering of form he adds a skill incolour and the rendering of light. Klinger (1857- ) Akin to Stucks, but of a more profound and subtlepsychology, is the work of Max Klinger. He is a thinker,poet, and musician J as well as painter; varying in subjectfrom what is lovely to what is terrible, from scenes of Hellenicbeauty or of the witchery of German forests to naturalism ofthe Zola type or to a fancy as demoniacal as Goyas. Bocklin (1827-1901) Very Teutonic in the quality of his imagination is ArnoldBocklin, who was by birth a Swiss. He drew from Classicsources, as in Pan Startling a Goat; reproduced the me-diasval Germans invention of weird forms, as in the long-necked creature that inhabits the sunless hollow of the Rocky Chasm ; created mermaids and other creatures ofthe sea in all the wholesome joyousness of light and move-ment ; pictured the mystery of worship in A Sacred Grove,or the solemnity of the tomb in The Isle of the ni QJ J3 ?4-J a _CJ ?(-> m a W g ?w o w ^ >< 13 J fl H n; < o ^ 4-1 O O &0 .S F—1 bJJ C
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Keywords: ., boo, bookcentury1900, bookdecade1910, booksubjectart, bookyear1913
