Marianne Dorothy Harland (1759–1785), Later Mrs. William Dalrymple Richard Cosway British When this portrait was exhibited at the Royal Academy in 1779, an art critic decried Cosway’s “painful and minute attention to little Circumstances,” which gave his work “a coxcomical and ridiculous air.” Indeed, the painting does reveal Cosway’s minute attention to the furnishing of a fashionable, feminine interior, emphasizing such features as the dressing table bearing a pincushion, scent bottles, and powder puff. Cosway shows his sitter, the daughter of a British vice admiral, in informal morning dres

Marianne Dorothy Harland (1759–1785), Later Mrs. William Dalrymple Richard Cosway British When this portrait was exhibited at the Royal Academy in 1779, an art critic decried Cosway’s “painful and minute attention to little Circumstances,” which gave his work “a coxcomical and ridiculous air.” Indeed, the painting does reveal Cosway’s minute attention to the furnishing of a fashionable, feminine interior, emphasizing such features as the dressing table bearing a pincushion, scent bottles, and powder puff. Cosway shows his sitter, the daughter of a British vice admiral, in informal morning dress, as though receiving an intimate visitor. The harp Miss Harland plays was closely associated with accomplished female amateurs, appearing, for example, in the work of Jane Marianne Dorothy Harland (1759–1785), Later Mrs. William Dalrymple. Richard Cosway (British, Oakford, Devon 1742–1821 London). Oil on canvas. Paintings

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