The works of John Ruskin . ductions of them, amof the present studies by Ruskin, are given. Ruskin there mentions (§ 87) thaihe spent five weeks studying in the Spanish Chapel. For Astronomy, see thaibook, § 104; for Logic, §§ 92, 99, 100; and for Rhetoric, §§ 95-98. OlAstronomy there is a mention (with a sketch) in Letters of John Ruskin tCharles Eliot Norton, vol. ii. p. 85 (reprinted in a later volume of this edition).] 7 [Ruskin refers to this study from the fresco, and describes the subject at thbeginning of Fors Clavigera, Letter 46. The central portion is The Triumph othe Church : see M
The works of John Ruskin . ductions of them, amof the present studies by Ruskin, are given. Ruskin there mentions (§ 87) thaihe spent five weeks studying in the Spanish Chapel. For Astronomy, see thaibook, § 104; for Logic, §§ 92, 99, 100; and for Rhetoric, §§ 95-98. OlAstronomy there is a mention (with a sketch) in Letters of John Ruskin tCharles Eliot Norton, vol. ii. p. 85 (reprinted in a later volume of this edition).] 7 [Ruskin refers to this study from the fresco, and describes the subject at thbeginning of Fors Clavigera, Letter 46. The central portion is The Triumph othe Church : see Mornings in Florence, §§ 119, 120. The historical signifieancof the fresco is pointed out in ch. vii. of Bryces Holy Roman Empire.] 8 [For references by Ruskin to this fresco (in the Camera della Segnatura iithe Vatican), see Vol. XIV. p. 268, and Vol. XIX. p. 103. No. 124 shows the grouof St. Ambrose and St. Augustine on the (spectators) right of the central altarNo. 125, the left-hand lower portion of the fresco.]. I,-m)i.| iii i it) the pulpit of Siena CATALOGUE OF REFERENCE SERIES 39 126. Heads of Horse and Youth, from the Parthenon Frieze. Draw- ing in coloured chalks by A. Burgess. 127. Heads of Horses, from the Drawing in chalks by A. Burgess. 128. Study of a Capital. Drawing in pencil and white by A. Burgess. 129. Head of the Recumbent Statue of Mastino II., Pencil drawing by A. Burgess. 130. Study of a Chalk drawing by A. Photograph of a Capital in the Ducal Palace.* 132. Photograph of part of the West Front of Rheims 183. Panel from the Pulpit at Siena. Drawing in chalk and washby A. 134. Studies at Orvieto and Lucca. Sketches by Ruskin. Engraved in Aratra Pentelici, Plate XVI. p. 326.] 2 [No. 27 in the Verona Catalogue: see Vol. XIX. p. 454.] 3 Probably at Verona; compare Ruskins drawing, which is now No. 80. ] 4 This is a large photograph of one side of the Eighteenth Capital, thefinest, says Ruskin
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