. The University course of music study, piano series; a standardized text-work on music for conservatories, colleges, private teachers and schools; a scientific basis for the granting of school credit for music study .. . ^ r r-pr rl ? FT jP- 7- ^ J ;)7 r ^ ^^ 3 ^ -/ I hy ^y. fm^ 46. (ft j^ P^j vP ^S #^ :^ SJ ^ ^ >^ J \1 ^ ^ 3 ^^SS^ ^ ^^ i 4 j_JSJi; i ^J2&^ m^^^m ^mm i ^^ J-^tJU s^^ a ^^^ ti^ ijj ^^ t 47 UNIVERSITYCOURSE INTRODUCTORYCHAPTER XXVII XXVII THE DOMINANT SEVENTH INVERSIONS ARPEGGIATED CHORDS § 1. The Dominant Seventh chords can be in-verted the same as triad
. The University course of music study, piano series; a standardized text-work on music for conservatories, colleges, private teachers and schools; a scientific basis for the granting of school credit for music study .. . ^ r r-pr rl ? FT jP- 7- ^ J ;)7 r ^ ^^ 3 ^ -/ I hy ^y. fm^ 46. (ft j^ P^j vP ^S #^ :^ SJ ^ ^ >^ J \1 ^ ^ 3 ^^SS^ ^ ^^ i 4 j_JSJi; i ^J2&^ m^^^m ^mm i ^^ J-^tJU s^^ a ^^^ ti^ ijj ^^ t 47 UNIVERSITYCOURSE INTRODUCTORYCHAPTER XXVII XXVII THE DOMINANT SEVENTH INVERSIONS ARPEGGIATED CHORDS § 1. The Dominant Seventh chords can be in-verted the same as triads, but as there are fourtones in a Seventh chord, there are also four posi-tions, in which each of the four tones in turn areplaced in the Bass. These four positions arethe fundamental or Root position, and three In-versions, as shown in Example No. i. The termsat the ri-ght are the names which the chords may Example No. 1 Seventh Inversions Root Position: seventh chord G - B - D - Inversion: six-five chord B - D - F G123456 Second Inversion: six-four-three or four-three chordD - F G - B 12^456 Third Inversion: six-four-two or four-two chord F G - B - C 123456 be called for a short form, or where it is moreconvenient to use figures in writing them S
Size: 1669px × 1498px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1920, bookpublishernewyorktheuniversi
