. The University course of music study, piano series; a standardized text-work on music for conservatories, colleges, private teachers and schools; a scientific basis for the granting of school credit for music study ... ed in 1908. Ason, Gustave, first appeared in opera, and then took upteaching. Among his prominent pupils the followingshould be mentioned: Jenny Lind, Henriette Niessen,Julius Stockhausen, and Antoinette Sterling. A second daughter of Manuel Garcia, the elder,Pauline Viardot-Garcia, was born in Paris, July 18,1821. She was educated by her father and madeher debut in 1837. Her
. The University course of music study, piano series; a standardized text-work on music for conservatories, colleges, private teachers and schools; a scientific basis for the granting of school credit for music study ... ed in 1908. Ason, Gustave, first appeared in opera, and then took upteaching. Among his prominent pupils the followingshould be mentioned: Jenny Lind, Henriette Niessen,Julius Stockhausen, and Antoinette Sterling. A second daughter of Manuel Garcia, the elder,Pauline Viardot-Garcia, was born in Paris, July 18,1821. She was educated by her father and madeher debut in 1837. Her voice was a mezzo-soprano ofextraordinary compass and of pronounced dramaticeffect. Two of her daughters were fine concert singers,and a son, Paul, was a prominent music critic. UNIVERSITYCOURSE INTERMEDIATECHAPTER XIV XIV INTERLOCKING AND ALTERNATION OF HANDS § 1. The hands interlock, or play an interlockingfigure, when the fingers of one hand play keysthat lie inside the hand position of the other Exercise No. I for example, the notes Z)# andF# are within the hand position for the right handas defined by the notes E-G; and if these notesD%-F# are played by the left hand the resulting Illustration No. 1. form of technic is called interlocking. Theactual result, with the first two measures playedin one hand instead of as an interlocking passage,is shown in Illustration No. i. The effect ofinterlocking is to produce a tone-quality of anentirely different nature from that obtained byplaying all of the keys with the same hand. In alternating passages the hands divide afigure between them, but the hand positions lieoutside of each other. The Study by Wieck il-lustrates this style of technic. [§§ i, 2] Study, Wieck §2. In this Study there will be a tendency to sus-tain the first tone of the group of two played byeach hand. This should be avoided, and eachnote be given no more than its correct value. [§ 4] Exercise No. 1 Allegretto4. m Study for Interlocking of
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