Violin-making, as it was and is : being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional . j?xg. 131.—Sound-bar Cramps. 0. I A Fig. 132.—Bow Compass. It Fig. 133.—Purfling Gauge or Marker (froatand side views). bL 15. Purfling Gauge.—This (Fig. 133) is an ebony gaugecomposed of an ordinary stem A, rounded at one side as at B,which bears a sliding beam c, one end of which, bearing thecutter E, and its wedge F, is rounded as at D. The cutter E ismade fast at any distance from the stem A b

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Violin-making, as it was and is : being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional . j?xg. 131.—Sound-bar Cramps. 0. I A Fig. 132.—Bow Compass. It Fig. 133.—Purfling Gauge or Marker (froatand side views). bL 15. Purfling Gauge.—This (Fig. 133) is an ebony gaugecomposed of an ordinary stem A, rounded at one side as at B,which bears a sliding beam c, one end of which, bearing thecutter E, and its wedge F, is rounded as at D. The cutter E ismade fast at any distance from the stem A by knocking the

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Keywords: ., bookcentury1800, bookdecade1880, bookpublisherlondo, bookyear1885