. International studio. arm by their admirable perfection. Withthe Republic of 1848, v/e find the romantic schoolin full bloom, but the works of Delacroix, Deveria,Henri Lehmann, Ary Scheffer are not amongst thebest of this period. Of the first years of the thirdRepublic we have also a few good portraits, suchas a head of a girl, by Beraud, works by Eracque-mond pere, Carolus-Duran, John Sargent, Carriere,Delaunay, Hebert, Gervex, and especially Manetwith three beautiful portraits, all unnamed. In all periods painters have found themselveslured to depict the fleeting and transitory aspectsof t
. International studio. arm by their admirable perfection. Withthe Republic of 1848, v/e find the romantic schoolin full bloom, but the works of Delacroix, Deveria,Henri Lehmann, Ary Scheffer are not amongst thebest of this period. Of the first years of the thirdRepublic we have also a few good portraits, suchas a head of a girl, by Beraud, works by Eracque-mond pere, Carolus-Duran, John Sargent, Carriere,Delaunay, Hebert, Gervex, and especially Manetwith three beautiful portraits, all unnamed. In all periods painters have found themselveslured to depict the fleeting and transitory aspectsof the life of Paris, her streets, her theatres andher restaurants. Among those who have donevery personal work of this nature, one must give aplace to M. Jean Lefort. In his Concert desAinbassadeurs one finds him, not indeed in theexpression of it, but rather in the idea itself, hark-ing back to the traditions of Toulouse Lautrec andConstantin Guys. The artist has depicted withconsummate ability the appearance of the crowd. CONCERT DES AMBASSADEURS BY JEAN LEFORT3 = 9 studio- Talk
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
