Curtain, 1600s–1700s. Africa, North Africa, Tunisia, Djerba, Tunisian weaver(s) and embroiderer(s). Silk, linen, metal, and dye; overall: 281 x cm (110 5/8 x 62 1/16 in.). One of a pair, this curtain displays colorful silk bands with woven geometric motifs, and cream bands with gold-embroidered plants, birds, six-pointed stars, and the khamsah (????), an open five-fingered hand. Birds and the tree of life were popular good luck or fertility symbols linked to marriage. This curtain’s cosmopolitan motifs would have resonated with Jews, Muslims, and Christians alike, reflecting its creatio
Curtain, 1600s–1700s. Africa, North Africa, Tunisia, Djerba, Tunisian weaver(s) and embroiderer(s). Silk, linen, metal, and dye; overall: 281 x cm (110 5/8 x 62 1/16 in.). One of a pair, this curtain displays colorful silk bands with woven geometric motifs, and cream bands with gold-embroidered plants, birds, six-pointed stars, and the khamsah (????), an open five-fingered hand. Birds and the tree of life were popular good luck or fertility symbols linked to marriage. This curtain’s cosmopolitan motifs would have resonated with Jews, Muslims, and Christians alike, reflecting its creation on multiethnic and multireligious Djerba, an island off the Tunisian coast. There, both goldsmithing and gold thread embroidery were done by Jewish artisans (male and female, respectively). The fine materials suggest this curtain once hung in a wealthy home or for special occasions; interior wall hangings were typically made from rough wool.
Size: 2021px × 3400px
Photo credit: © CMA/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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