. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. 28o KLINGS MODERN INSTRUMENTATION AND For solo-singing the female voice takes firstrank. The greatest composers of olden andmodern times have written most wonderful ariasand have produced astounding effects by meansof their clever and appropriate employment ofthe different female voices in duos, trios, quar-tets, quintets, sextets, septets, and operaticfinales. The Soprano voice is th
. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. 28o KLINGS MODERN INSTRUMENTATION AND For solo-singing the female voice takes firstrank. The greatest composers of olden andmodern times have written most wonderful ariasand have produced astounding effects by meansof their clever and appropriate employment ofthe different female voices in duos, trios, quar-tets, quintets, sextets, septets, and operaticfinales. The Soprano voice is the most flexibleand brilliant, adapting itself admirably to theperformance of every conceivable kind of mostcomplicated coloratura passages and trills; ca-pable of executing the most varied tonal grada-tions and shadings, extending from the softestpianissimo to the strongest fortissimo, as well aspossessing the requisite resources for the rendi-tion of sweet and languishing Cantabile compo-sitions. For operatic purposes, the female voices areespecially classed according to particular partsand treated and employed in accordance withtheir own individual tonal-compass and char-acter. SOPRANO VOICE. 1. Coloratura-Singer. Part of Rosina in Ros-sini
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Keywords: ., bo, bookcentury1900, bookdecade1900, bookidmodernorchestrat00klin
