. Programme . , outline loomed before us of a grand,consistent, original, inspired whole. It moved us to respect and todesire deeper acquaintance with the new symphonist. The Symphony in B-flat has been played at these concerts, underMr. Henschel, March 4, 1882; Mr. Gericke, November 15, 1884,November 13, 1886, November 3,. 1888;, Mr. Nikisch, March 8, 1890,January 31, 1891, April 16, 1892, January 28, 1893; Kr. Paur, No-vember 25, 1893, December 7, 1895, October 23, 1897; Mr. Gericke,October 14, 1899, January 4, 1902, March 5, 1904, November 25,1905; Dr. Muck, November 3, 1906; Mr. Fiedler, M
. Programme . , outline loomed before us of a grand,consistent, original, inspired whole. It moved us to respect and todesire deeper acquaintance with the new symphonist. The Symphony in B-flat has been played at these concerts, underMr. Henschel, March 4, 1882; Mr. Gericke, November 15, 1884,November 13, 1886, November 3,. 1888;, Mr. Nikisch, March 8, 1890,January 31, 1891, April 16, 1892, January 28, 1893; Kr. Paur, No-vember 25, 1893, December 7, 1895, October 23, 1897; Mr. Gericke,October 14, 1899, January 4, 1902, March 5, 1904, November 25,1905; Dr. Muck, November 3, 1906; Mr. Fiedler, March 5, 1910,October 7,1911; Dr. Muck, March 28, 1914, January 21,1916; March29, 1918. The score is for two flutes, two oboes, two clarinets, two bassoons,four horns, two trumpets, three trombones, a set of three kettle- MANUFACTURERS FURRIERS /^ETAILBKS RELIABLE FURS RELIABLE INFORMATION RELIABLE PRICES NO MISREPRESENTATION COLD STORAGE AS TO VALUES 72 Chauncy St., Boston - - - Tel. Beach 48 IN THE HOVEY GRAY SHOPSFOR MISSES AND SMALL WOMEN ^Different and effectitie are the Suits, Coats, Frocks and EveningGoTvns sho^wn in our Gray Shops for Misses and Small Women. Themarked characteristics of our creations are faultless tailoring andindtlptdual design. The frock sketched is of Reindeer Dwvetyn, ornamented <zuith goldencable stitching and leaver collar and cuffs. drums, triangle (in the first movement), and strings. It is dedi-cated to Friedrich August, King of Saxony. The first movement opens with an introduction, Andante un pocomaestoso, B-flat major, 4-4, which begins with a virile phrase in thehorns and trumpets, answered by the full orchestra are stormy accents in the basses, with full chords in thebrass and other strings, and each chord is echoed by the and clarinet notes over a figure in the violas lead to a grad-ual crescendo ed accelerando, which introduces the Allegro moltovivace, B-flat major, 2-4. This begins at
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