. Silverwork and jewelery; a text-book for students and workers in metal, by H. Wilson. with a flat scorper cut the groups of leaves Carving inso as to show their overlapping. With a Metalsmall gouge you can now vein the leaves andadd any necessary finishing touches to thetwigs. The knop may be finished up stillfurther by putting it upon the pitch and add-ing any refinements of detail you may to Carve a Wreathed Setting.—Afine stone willoften look wellin a conicalwreathed settingcarved out ofthicksheetmetal(fig. 127). Mark ^ ° 1 • Fir 127 out the section ^^^- ^^i- of the setting at
. Silverwork and jewelery; a text-book for students and workers in metal, by H. Wilson. with a flat scorper cut the groups of leaves Carving inso as to show their overlapping. With a Metalsmall gouge you can now vein the leaves andadd any necessary finishing touches to thetwigs. The knop may be finished up stillfurther by putting it upon the pitch and add-ing any refinements of detail you may to Carve a Wreathed Setting.—Afine stone willoften look wellin a conicalwreathed settingcarved out ofthicksheetmetal(fig. 127). Mark ^ ° 1 • Fir 127 out the section ^^^- ^^i- of the setting at A, fig. 128. Producethe sides till they meet. From this pointas center draw circles as shown. On thebase make a semicircle, and divide it intoany number of equal parts, say 16. Setout these on the larger segment, join thelast point to the center. The enclosedform is that required to make the this shape out with the shears,bend the metal up to fit the stone, andsolder the edges. Draw on this (fig. 129)a wavy spiral of twigs, and while keepingthe design very open, see
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectsilverw, bookyear1903
