. Drawing for beginners . Fio;. 107. Stump-drawing of Old Mans Head 190 Light and Shade extremely difficult medium because it requires a considerableamount of experience to alter and correct a false bit of tone. Fig. 108. Light and Shade drawn with Pen and Ink satisfactorily, but, above all, broad smooth masses of lightand shade, unless done by an experienced hand, have a verymechanical effect. Light and shade can be studied with the brush by mixingsepia and flake white, ivory black and white, or charcoal 191 Drawing for Beginners grey and white. This method is more akin to pen and ink,inasmuc
. Drawing for beginners . Fio;. 107. Stump-drawing of Old Mans Head 190 Light and Shade extremely difficult medium because it requires a considerableamount of experience to alter and correct a false bit of tone. Fig. 108. Light and Shade drawn with Pen and Ink satisfactorily, but, above all, broad smooth masses of lightand shade, unless done by an experienced hand, have a verymechanical effect. Light and shade can be studied with the brush by mixingsepia and flake white, ivory black and white, or charcoal 191 Drawing for Beginners grey and white. This method is more akin to pen and ink,inasmuch as it requires a practised hand to apply clear freshwashes of colour. For the beginner a dry method is certainly the wisest,and he will gain valuable experience by constant experimentwith it. Vd\ CHAPTER XVI Correcting our Drawings How many times do we cast our pencil down andexclaim, Oh for a little help ! Or we take upour drawing and despairingly rend it in half. If we have landed in a hopeless morass of difficulties, wehad far better tear up our drawing or fling it aside—andbegin again. To begin again, however, on the same object,round which clings the flavour of defeat, is dishearten-ing. Persona
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