. An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c, with their derivations . , impressed on the clothpresented to Him by St. Veronica on the wayto the Crucifixion. (See Siole, Vera Icon.)A representation of this legendary portrait isgiven in Albert Diirers Little Passion. Sudatorium, R. {sudor, sweat). The hotroom in a Roman bath. (See Caldarium.) Sudha, Hind. A temple of the K


. An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c, with their derivations . , impressed on the clothpresented to Him by St. Veronica on the wayto the Crucifixion. (See Siole, Vera Icon.)A representation of this legendary portrait isgiven in Albert Diirers Little Passion. Sudatorium, R. {sudor, sweat). The hotroom in a Roman bath. (See Caldarium.) Sudha, Hind. A temple of the Khmers orancient inhabitants of Cambodgia, built of oneunmixed material, and thence called pure{sttd/ia). SuflSbuIum, R. A large square piece ofwhite cloth worn by vestals and priests duringthe discharge of their functions. Suggestus, R. {sitb and oero, to heap up).(l) A stage or platform from which an oratoraddressed a crowd. The Rostra at Rome wasa celebrated suggeshis. (2) In a camp thesuggestus was formed of stones and clods of turf,or constructed of woodwork, from which thegeneral liarangued the troops. (3) The raisedseat from whicli the Emperor saw the games. Suile, R. A stable for pigs ; among theRomans a building of considerable size, contain-ing a number of separate sties {hara).. Fig. 630. .SugKc-MUb. Sulphate of Barytes. (See Barytes.)Sulphate of Zinc, or white vitrol, is used asa dryer. Sulphurs. Impressions taken by the gold-smiths of the 16th century from the engravingsexecuted on plates, paxes, &c. ; and which theyobtained by spreading a layer of melted sulphuron the face of the plate, producing a cast inrelief of the lines engraved. Some few of theseproofs exist in the British and continentalmuseums, and are known as sulphurs. Theyare amongst the rarest specimens connected withthe art of engraving. {Fairholt.)


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