. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. like that of S. Lanfranco, with the samebroad angle piers ornamented at the top by the same reticulatedpattern in bricks, which is, as in S. Lanfranco, carried up the rake ofthe cornice. There is no corbel-table, but the stepped arcade answer-ing to the eaves gallery (though in this instance the depth is not suf-ficent to allow of a gallery) is divided into three groups, followingthe usual division of the facade. A simple arched doorway occupiesthe centre of the front, and over it is a trij)le arc
. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. like that of S. Lanfranco, with the samebroad angle piers ornamented at the top by the same reticulatedpattern in bricks, which is, as in S. Lanfranco, carried up the rake ofthe cornice. There is no corbel-table, but the stepped arcade answer-ing to the eaves gallery (though in this instance the depth is not suf-ficent to allow of a gallery) is divided into three groups, followingthe usual division of the facade. A simple arched doorway occupiesthe centre of the front, and over it is a trij)le arched window dividedby columns, and covx^red not by a single but by a double bearingarch. The flanks and the ai)se are uncommonly consistent with the. c%i Fig. JSo. !S. Lazzaru, ntai Pavia ; Ejist End ami 1- lauk. THE LOMIUUI) K(>MAM;s(^rK Ijirade ( Fii;*. 88), — tlio fonnci- ])jin«^ divided Uy \ i^^oious l> ground to eaves into l):iys, with tin; eaves arcade erowniii^ thewall and a sinL;le window htdow, while the a])Me is divichid hy thinpilaster stii[)s into three conipartnients, each (d which lias a linenarrow-aindied window with foni orders of jand)-shafts, and thearcade above. The design nt the arcade is varied, however, on theapse and Hanks, the cohnnns being very small and >hort, and a corbelintervening between the eolunin and the arch which it whole exterior of this little chnrcdi shows a simple elegancewhich is very rare in the early Lond)ard work. In the cathedrals of Piaeenza and Parma, which are nearly eon-temporary with each other, and two centnries later than the piacenzaearly Pavian churches, we remark a persistence in the gen- and Parma,eral type, together with an ameli
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectarchite, bookyear1901
