. Art in France. FIG. 200.—SPIRAL STAIRCASE AT SAINT-MACLOV, ROUEN. ess receptive; itstill goes on towards completion tothe present day. The fourteenth,fifteenth, and sixteenth centuriesenriched the naves with curiouslywrought rood screens, which weredestroyed in the eighteenth gave the choir carved woodenstalls of incredible richness; theysurrounded it with a sculpturedgallery. In the seventeenth cen-tury, marble altars were set up atthe bases of pillars, with columnsand pediment enframing a largepicture in the Bolognese eighteenth century added itsgraceful screens of
. Art in France. FIG. 200.—SPIRAL STAIRCASE AT SAINT-MACLOV, ROUEN. ess receptive; itstill goes on towards completion tothe present day. The fourteenth,fifteenth, and sixteenth centuriesenriched the naves with curiouslywrought rood screens, which weredestroyed in the eighteenth gave the choir carved woodenstalls of incredible richness; theysurrounded it with a sculpturedgallery. In the seventeenth cen-tury, marble altars were set up atthe bases of pillars, with columnsand pediment enframing a largepicture in the Bolognese eighteenth century added itsgraceful screens of hammered iron,which reveal a certain affinitybetween the caprices of the Flamboyant and the Rococo architects of the fifteenth century had long lost the habit of 101. FIG. 20I.—SOUTH PORCH OFSAINT-REMY, REIMS. {Pholo. Courleux.) ART IN FRANCE
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernew, booksubjectart
