. What pictures to see in America. 3 Q =5 •^ fl. a o I IN O<N d. c o c c5 t. CINCINNATI 303 more carefully the bit of work he has in hishand. Almost can we fathom the intent ofthat master mind, but not quite, for he is toodeep for the most of us. Very few are thepigments that Mr. Alexander uses, but withthose few he obtains results that are simplymarvelous. Original, individual and distin-guished are the attributes of Mr. Alexanderand his work. The artists figure subjects havea charm all their own and one that puts themin a class by themselves (see Fig. 17). There are several of the modern
. What pictures to see in America. 3 Q =5 •^ fl. a o I IN O<N d. c o c c5 t. CINCINNATI 303 more carefully the bit of work he has in hishand. Almost can we fathom the intent ofthat master mind, but not quite, for he is toodeep for the most of us. Very few are thepigments that Mr. Alexander uses, but withthose few he obtains results that are simplymarvelous. Original, individual and distin-guished are the attributes of Mr. Alexanderand his work. The artists figure subjects havea charm all their own and one that puts themin a class by themselves (see Fig. 17). There are several of the modern men whoseem infatuated with winter and whose win-ter scenes have that breath of reality that fairlymakes us feel the frost in the air and hear thecreak of the snow under our feet. Of thesescenes of special moods A January Day(Fig. 204), by W. Elmer Schofield, is particu-larly typical. The artist has attained just thatquality of atmospheric illusiveness that leadsus through this open wood into the fields andthen beyond into the unknown. We care notfor the hard bro
Size: 1374px × 1818px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyo, bookyear1915
