Beethoven and his nine symphonies . W¥M=^ m4 Oi pp 1l -J (• M- Bass/ V=tff±T* Bass/ (compare the Coda of the Finale of No. 7, page 264), makes apause, and goes off with an entirely fresh idea—a successionof scales in exact contrary motion:— No. 38. Violins only, pp (fop r^ | (g ^^EiEddd-.^ r J33JJ3-J. r J33J53L J HI <tc. accompanied by the triplets of the original theme, and pro-ducing a most overpowering effect. Here is another exampleof a similar passage, the treble and bass being reversed inposition:— No39- VJSL1

---

Size: 2970px × 841px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: ., bookcentury1800, bookdecade1890, booksubjectsymphon, bookyear1896