Claude Mellan. The Sudarium of Saint Veronica. 1649. France. Engraving in black on buff laid paper This virtuoso print replicates the cloth that Saint Veronica used to wipe Christ’s face on the way to his death. The cloth is called a sudarium, a contact relic containing the print-like impression of the savior’s face. Claude Mellan engraved Christ’s portrait in one seemingly unbroken line; the spiral from the center of his nose swirls outward to delineate the fabric. As in the nearby Mousetrap (), the artist’s way of approaching the swelling engraved line, produced with increased burin
Claude Mellan. The Sudarium of Saint Veronica. 1649. France. Engraving in black on buff laid paper This virtuoso print replicates the cloth that Saint Veronica used to wipe Christ’s face on the way to his death. The cloth is called a sudarium, a contact relic containing the print-like impression of the savior’s face. Claude Mellan engraved Christ’s portrait in one seemingly unbroken line; the spiral from the center of his nose swirls outward to delineate the fabric. As in the nearby Mousetrap (), the artist’s way of approaching the swelling engraved line, produced with increased burin pressure, lends the image an abstract quality.
Size: 2222px × 3000px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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