Wine cistern ca. 1880 After an original by Charles Frederich Kandler This is an electrotype reproduction of the magnificent silver wine cistern commissioned by the English banker and silversmith Henry Jernegan (ca. 1688–1745/6) for his client Littleton Pointz Meynell (ca. 1695–1752) who was desirous to have the "largest and finest silver cistern that ever was or could be…" A first sketch of the design honoring the wine god Bacchus was done by the antiquarian and engraver George Vertue (1684-1756) and the wax models for the figures were executed by the Flemish-born English sculptor John Michael
Wine cistern ca. 1880 After an original by Charles Frederich Kandler This is an electrotype reproduction of the magnificent silver wine cistern commissioned by the English banker and silversmith Henry Jernegan (ca. 1688–1745/6) for his client Littleton Pointz Meynell (ca. 1695–1752) who was desirous to have the "largest and finest silver cistern that ever was or could be…" A first sketch of the design honoring the wine god Bacchus was done by the antiquarian and engraver George Vertue (1684-1756) and the wax models for the figures were executed by the Flemish-born English sculptor John Michael Rysbrack (1694–1770). The actual cistern, now in the Hermitage Museum, St. Petersburg, was the work of the silversmith Charles Frederick Kandler (act. 1720–1770s). When this remarkable piece was finally ready in 1734, Meynell had changed his mind and Jernegan was stuck with the extravagant object for which he failed to find a buyer. Offered as first price in a lottery of 1739, the wine cistern entered the collection of Empress Anne of Russia by the following Wine cistern. British, Birmingham, after British, London original. ca. 1880. Silver on base metal (copper and brass). Metalwork-Electrotype
Size: 3923px × 3015px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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