International studio . THE DANCER.—NO. II, MINUETBY SANDOR fARAY. FREDERICK THE GREAT AFTER THE SEVENYEARS WAR. FROM THE PAINTING BYPROF. ARTHUR KAMPF ( Copyright Franz Hanfstaengiy Art School Notes combine landscape with animal life like Friese,Zimmermann, and Ungewitter, aroused the chiefinterest. Another event at the same galleries wasa comprenensive collection of works by LudwigDettman, a painter with an open eye for naturesglories, and one who has trained his colour-senseto the highest pitch of receptiveness. His brushis particularly skilled in catching the sparklingvibrations of the morn
International studio . THE DANCER.—NO. II, MINUETBY SANDOR fARAY. FREDERICK THE GREAT AFTER THE SEVENYEARS WAR. FROM THE PAINTING BYPROF. ARTHUR KAMPF ( Copyright Franz Hanfstaengiy Art School Notes combine landscape with animal life like Friese,Zimmermann, and Ungewitter, aroused the chiefinterest. Another event at the same galleries wasa comprenensive collection of works by LudwigDettman, a painter with an open eye for naturesglories, and one who has trained his colour-senseto the highest pitch of receptiveness. His brushis particularly skilled in catching the sparklingvibrations of the morning sun. Recently he hasshown a fondness for painting the birth of Christ,but all his versions of the subject seem merely tohave been sought as opportunities to excel in theart of rendering the diffusion of brilliant marine painter, Hans Bohrdt, who has beenshowing at Schultes, wields his brush with delicacyand charm, avoiding all opacity when depictingthe sea under various aspects. He knows allthe technique of navigation, and thus his render-ings
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Keywords: ., booksubjectart, booksubjectdecorationandornam, friedrichdergrose
