. The Pacific tourist . city, and .i •> living to the fMilicemen, wIk- ! ^, varying, it i« »aid, from five ■lars a week. Th* ThratrcH.—Then an? two on opfmaiU*sidisof .lack-• * ■• ■-•■•most fopiilar >on the north >■ - this is through a long \jje,witle, lined with the table* ofvendem. Tlie auditorium hx^ .ialH>ut UU(l and » gnsmaller galler> for aUand two privaU- l«>xe», \cusiiions, curtains or for m*. j-i-^o-. !.■ .. ... stage aii He only chaiicc* (or M-ruriuj to the fr*Mil or U -tAfter t«-nocl«; Mentrance for tw i-tt. <hour can s* x-r I-ufUn un
. The Pacific tourist . city, and .i •> living to the fMilicemen, wIk- ! ^, varying, it i« »aid, from five ■lars a week. Th* ThratrcH.—Then an? two on opfmaiU*sidisof .lack-• * ■• ■-•■•most fopiilar >on the north >■ - this is through a long \jje,witle, lined with the table* ofvendem. Tlie auditorium hx^ .ialH>ut UU(l and » gnsmaller galler> for aUand two privaU- l«>xe», \cusiiions, curtains or for m*. j-i-^o-. !.■ .. ... stage aii He only chaiicc* (or M-ruriuj to the fr*Mil or U -tAfter t«-nocl«; Mentrance for tw i-tt. <hour can s* x-r I-ufUn until •_* or .J oVI«.^L. For a i>n»aU« Ua. Iin,:pi.,and It aixMitfruit : Isrqti^t, Ihal •«al4 ton. 322 TMM ^m€iFi€ WQWMiBW,. INTERIOR OF CHINESE THEATRE. ingress or exit. As the deception is perfectlyapparent, when one falls in war or passion, andis not carried off the staple, nor hidden behindthe drop, bnt rises and trots away, there is adecided feeling that the whole thing is toothin for long enjoyment. The acting is as rude as all the surroundings,yet it is often true to Chinese life. Duringthe play of a comedy, the whole audience hasbeen convulsed with laughter, over and overagain, almost without cessation, suddenly break-ing out in loud exclamations; but usually tlieirfaces are unmoved, except as they munch thepea-nuts, sugar cane, etc., peddled throughoutthe room, or as they sink into dreamy contem-plation, under thu satisfying influence of apure Havana of their own make. The costumes are a marvel of gaudiness, butdevoid pf all elegance. The plays are nearly allof historic character,—rebels plotting for pos-session of the government, sometimes seated onthe throne; messengers sent out to negotiate;an
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Keywords: ., bookauthorshearerf, bookcentury1800, bookdecade1870, bookyear1876
