A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . VI.] STEFANO DA VENEZIA 273 at Chioggia, dated mcccxlviiii. mens. jvl. A fourth productionof the artist is noted in the pages of Cicogna: The Virgin andChild, St. John the Baptist, St. John the Evangelist, St. Chris-topher, and St. Anthony the Abbot (1810) in the suppressedConvent of Saint Alvise at Venice.^ In Stefanos manner we notice also a Virgin and Child withSt. Blaise and St. Martin—a fragment—added, in 1839, to adamaged altarpiece by Giovanni and Antonio da Murano in theCappella San T
A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . VI.] STEFANO DA VENEZIA 273 at Chioggia, dated mcccxlviiii. mens. jvl. A fourth productionof the artist is noted in the pages of Cicogna: The Virgin andChild, St. John the Baptist, St. John the Evangelist, St. Chris-topher, and St. Anthony the Abbot (1810) in the suppressedConvent of Saint Alvise at Venice.^ In Stefanos manner we notice also a Virgin and Child withSt. Blaise and St. Martin—a fragment—added, in 1839, to adamaged altarpiece by Giovanni and Antonio da Murano in theCappella San Tarasio at San Zaccaria in Venice.^ In the school manner of Paolo, Lorenzo, and Stefano somefurther specimens will be found as follows: In San Donato atMurano a composite altarpiece, with the Death of the Virgin, , St. Louis, St. John the Baptist, St. James {?), St. Donatus,and St. Lawrence. In a predella, thirteen half-lengths of maleand female saints are but partially well-preserved. In SanSamueli at Venice, in the Spiridione chapel, a niche in the wallcontains a very dark and spott
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Keywords: ., book, bookcentury1900, bookdecade1900, booksubjectpaintingitalian
