. The Victrola book of the opera : stories of one hundred and twenty operas with seven-hundred illustrations and descriptions of twelve-hundred Victor opera records . upon him. His passion gives place to a softer strainas he speaks of his love for Nedda, his faithfulness and his sacrifices for her. Finale to the Opera By Antonio Paoli, Tenor; Giuseppina Huguet, Soprano; FrancescoCigada, Baritone; Gaetano Pini-Corsi, Tenor; Ernesto Badini,Tenor; and Chorus (In Italian) 92013 12-inch, $ The close of Canios greatair, No, Pagliaccio No More!is greeted with loud cries of bravo from the excited
. The Victrola book of the opera : stories of one hundred and twenty operas with seven-hundred illustrations and descriptions of twelve-hundred Victor opera records . upon him. His passion gives place to a softer strainas he speaks of his love for Nedda, his faithfulness and his sacrifices for her. Finale to the Opera By Antonio Paoli, Tenor; Giuseppina Huguet, Soprano; FrancescoCigada, Baritone; Gaetano Pini-Corsi, Tenor; Ernesto Badini,Tenor; and Chorus (In Italian) 92013 12-inch, $ The close of Canios greatair, No, Pagliaccio No More!is greeted with loud cries of bravo from the excited au-dience, who think it is merelysplendid acting. Women (to each other):Ah, it makes me weepSo true it all is seeming. Nedda is now thoroughlyalarmed, but courageouslyfaces her husband with out-ward calm. Nedda (coldly but seriously):Tis well! If thou thinkst me vile,Send me off, then,Before this moments over! Canio (laughing loudly): Ha! Ha! Oh, nothing betterwouldst thou ask, Than to be let run to meetthy lover! To see thee free And let thy lovers arms re-ceive thee! No! by Heaven, for here thoustayest. Until thy paramours vilename thou sayest! THE PLAY ACT. * Double-Face J Record—See page 364. 362 VICTROLA BOOK OF THE OPERA — LEONCAVALLOS PAGLIACCI
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Keywords: ., bookcentury1900, bookdecade1910, bookidvictrol, booksubjectoperas
