. The table book of art; a history of art in all countries and ages . mg*~&&$£ mmmmm BEGGING MONK AT THE DOOR OF A MOSQUE. (From the original painting by jf. L. Gcrbmc.) CALLCOTT. 171 was elected an associate, and three months later a member of the Academy, a rareinstance of rapid promotion by the voice of his fellows. After his Idle Boys, which was the apparent cause of Mulreadys election as anassociate of the Academy, and his Fight interrupted, he painted in succession, withhigher and higher degrees of excellence of its kind, in a transition from the Dutchschool to a school of his own, his D
. The table book of art; a history of art in all countries and ages . mg*~&&$£ mmmmm BEGGING MONK AT THE DOOR OF A MOSQUE. (From the original painting by jf. L. Gcrbmc.) CALLCOTT. 171 was elected an associate, and three months later a member of the Academy, a rareinstance of rapid promotion by the voice of his fellows. After his Idle Boys, which was the apparent cause of Mulreadys election as anassociate of the Academy, and his Fight interrupted, he painted in succession, withhigher and higher degrees of excellence of its kind, in a transition from the Dutchschool to a school of his own, his Dog of Two Minds, Wolf and Lamb, CarelessMessenger, and Travelling Druggist, and his Interior of an English Cottage, which hasmore poetry and simple pathos than Mulreadys pictures usually possess. In 1827, a little over his fortieth year, Mulready moved from his other house atKensington to No. I, Linden Grove, Bayswater, which had been newly built, andwhere the architect had erected a studio for the painter according to his wishes. Thishouse continued his h
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Keywords: ., bookcentury1800, bookdecade1880, bookidtablebookofa, bookyear1880
