The practice of water-colour painting . 7- MR. R. W. ALLAN ochre, permanent yellow, lemon yellow, cobalt,indigo, raw sienna, burnt sienna, light red,extract of vermilion, rose madder, brown madder,Vandyke brown, raw umber, and black. 37. 1t/0 .-U/i/^-ia,,.: THE OLD I\\ MRS. ALLINGHAM, An atmosphere of dainty sentiment pervades thewhole of Mrs. Allinghams production, an atmo-sphere that is charming in its consistent delicacyand refinement, and in its gentle subjects she prefers, and with which shehas made her greatest successes, are chosen fromrustic life;

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The practice of water-colour painting . 7- MR. R. W. ALLAN ochre, permanent yellow, lemon yellow, cobalt,indigo, raw sienna, burnt sienna, light red,extract of vermilion, rose madder, brown madder,Vandyke brown, raw umber, and black. 37. 1t/0 .-U/i/^-ia,,.: THE OLD I\\ MRS. ALLINGHAM, An atmosphere of dainty sentiment pervades thewhole of Mrs. Allinghams production, an atmo-sphere that is charming in its consistent delicacyand refinement, and in its gentle subjects she prefers, and with which shehas made her greatest successes, are chosen fromrustic life; they illustrate characteristically theattractive side of rural existence and the beautyof a world in which there are still lingering sometraces of primitive peace and innocence. Herpaintings are, no doubt, in the nature of idealisa-tions, for they show the fascination of the countryunder its most perfect conditions and they dis-regard entirely the grimmer aspects of life, butthey have their full measure of truthful suggestionand are sufficiently imbued with the real pastoral spirit. 39 WATER-COLOUR PAINTING In its manner her work may be said to belongto the school of which Fred Walker was theleader ; it has much of his tender fee

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Keywords: ., bookcentury1900, bookdecade1910, booksubjectwatercolorpainting