The International Studio /June 1915 . dscapes in which his sense of finelymodulated tonal harmonies is expressed with adelicate precision. Mr. William Opens presentation portrait ofSir William Colliding is, as might be expected, anadmirable portrait de ahrmome, brilliantly paintedwith an unwavering brush. Mr. Gerald Kelly, whoconfines himself to portraits of Burmese men andwomen, shows a very personal feeling for thebeauty of line. Miss Purser is represented byfour portraits, all vividly painted with swift insightand certainty of touch ; Mr. J. M. Kavanagh bythree landscapes, of which Chapcliz
The International Studio /June 1915 . dscapes in which his sense of finelymodulated tonal harmonies is expressed with adelicate precision. Mr. William Opens presentation portrait ofSir William Colliding is, as might be expected, anadmirable portrait de ahrmome, brilliantly paintedwith an unwavering brush. Mr. Gerald Kelly, whoconfines himself to portraits of Burmese men andwomen, shows a very personal feeling for thebeauty of line. Miss Purser is represented byfour portraits, all vividly painted with swift insightand certainty of touch ; Mr. J. M. Kavanagh bythree landscapes, of which Chapclizod is, perhaps,the most attractive. Miss S. C. Harrison, whosework is distinguished by its sincerity and hightechnical achievement, shows four portraits, themost notable being that of Father Stafford ;while Mr. Lavery shows but one, an accomplishedportrait of Princess Patricia of Connaught. The work of two young men—Mr. James Sleatorand Mr. John Keating, the latter being theholder of the Taylor Art Scholarship for this year,. SELF-PORTRAIT BY JAMES S. SLEATOR (Royal Hibernian Academy) Studio-Talk
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Keywords: ., book, bookcentury1900, booksubjectcalifornia, booksubjectsandiego
