John Tuffs ca. 1861 Augustus Saint-Gaudens American During Saint-Gaudens’s years as a cameo cutter’s apprentice, he helped his employer meet the demand for carved shell broaches, bracelets, and other wearable keepsakes. The delicately-rendered portrait of New York attorney John Tuffs (1812-1859) is believed to be his earliest surviving work. A posthumous portrait likely based on a daguerreotype, it presents the sitter in a technically challenging three-quarter pose. The young apprentice dutifully conveyed the details of Tuff’s dress and the thin wisps of his hair, yet with equal precision he n
John Tuffs ca. 1861 Augustus Saint-Gaudens American During Saint-Gaudens’s years as a cameo cutter’s apprentice, he helped his employer meet the demand for carved shell broaches, bracelets, and other wearable keepsakes. The delicately-rendered portrait of New York attorney John Tuffs (1812-1859) is believed to be his earliest surviving work. A posthumous portrait likely based on a daguerreotype, it presents the sitter in a technically challenging three-quarter pose. The young apprentice dutifully conveyed the details of Tuff’s dress and the thin wisps of his hair, yet with equal precision he naively depicted Tuffs’s wandering left eye. More than ten years after ordering the portrait of her husband, Hannah Rohr Tuffs (1829-1905) commissioned her pendant cameo (,b) when visiting Rome with her sister. The pair is housed in original velvet-lined leather John Tuffs 13396
Size: 4000px × 3000px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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