. International studio. sionu The individuality evi- a one. dent in all he does is only theresult of an inner strength ofvision which impels him to seethings for himself, and find hisown manner of expressing 1902, during the youngAmericans first visit to Paris, the Impressionistswere still at the height of their influence, and it wasnatural that he should have entered heartily intotheir methods. Men like Monet and Pissarro, w howere absorbed in the inter-relation ol light andcolor, appealed to his imagination and lor a timehe painted in their manner. And when he, likeothers among the m
. International studio. sionu The individuality evi- a one. dent in all he does is only theresult of an inner strength ofvision which impels him to seethings for himself, and find hisown manner of expressing 1902, during the youngAmericans first visit to Paris, the Impressionistswere still at the height of their influence, and it wasnatural that he should have entered heartily intotheir methods. Men like Monet and Pissarro, w howere absorbed in the inter-relation ol light andcolor, appealed to his imagination and lor a timehe painted in their manner. And when he, likeothers among the moderns, saw and accepted therevolutionizing ideas which Cezanne was proclaim-ing on e\ erj canvas, he took w ith him into the newfield the palette of the Impressionists. Alincludesa fusion of much that has gone bi Iin their development the Post-Impre have welded together certain elements (Von: tinThey have looked upon the art of El Greco and theprimitives from a new point of .tew and have APRIL ig22 mceRiiAcionAL StUDIO. learned much about organiza- b^amuel^pert9 standing of Giorgione and EItion and form, and they give Greco. He found the simplicitycredit to the Impressionists for their knowledge of and austerity of the primitives singularly appeal-color. But their eclecticism ends here; by far the ing, while the sincerity of their approach to naturegreater portion of their art is their own and is the struck a responsive chord. During this period theexpression of definite ideas regarding structure artist was rapidly finding himself. He sent hisand volume—an expression which in its deter- pictures to the Salon dAutomne and, being re-mination to get at the heart of things is typical of presented there during the five requisite years,the spirit of the times in which we live. became a member in 1911. The years between 1907 and 1911 Halpert Like many of the other young artists whomspent in Italy and France. In Rome and Florence Cezanne inspired, he accepted the great French-he cam
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