Symphonies and their meaning . 9 =PT-«-£~-« \L3 Brass. 1^5=1 ff fa ±=t *-£ ?fa- t£ $&- ?fa- 1 Strings (doubled an octave above and below).I sh # TX=^ S r 11 r fa -i=^==t m chord, while strings and drums are exhaustingtheir momentum on the simplest figure, endingabruptly in a crash :. Doubled twice below. After a lull, during which you can almosthear the drive as you see the sun with closed 239 SYMPHONIES AND THEIR MEANING eyes, suddenly here is the melodic germ, theheart of the movement, always sure to come,like gold to the miner, after those long ham-merings of Schubert. It is a miniature oft
Symphonies and their meaning . 9 =PT-«-£~-« \L3 Brass. 1^5=1 ff fa ±=t *-£ ?fa- t£ $&- ?fa- 1 Strings (doubled an octave above and below).I sh # TX=^ S r 11 r fa -i=^==t m chord, while strings and drums are exhaustingtheir momentum on the simplest figure, endingabruptly in a crash :. Doubled twice below. After a lull, during which you can almosthear the drive as you see the sun with closed 239 SYMPHONIES AND THEIR MEANING eyes, suddenly here is the melodic germ, theheart of the movement, always sure to come,like gold to the miner, after those long ham-merings of Schubert. It is a miniature ofthe old gigantic thumping, as of shadowyimps. But the grace is rarer than before, and,above all, here, out of the four long notes,a song proceeds, clear and human: Oboes and ClarionetsClarionets. (doubled below in Fagots). &a ? r r- t S- f T •^ Horns. m m -3^* f^r^f *N Cellos and Basses. 75T M t 6 T -#*- feEiS i^E E&* 34 240 f SYMPHONIES AND THEIR MEANING -I- i *F=f -#*- 7 T~W =3=4 M &± 1 V0 * ~\ r=r All the pent-up vagueness has found speech,in which it glories, exults, revels, first timidlywhispering, then with involuntary burst, retiringagain into almost inaudible recesses and hiddenscenes; suddenly breaking forth into clear lightwith glad pre
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Keywords: ., bookcentury1800, bookdecade1890, bookpublisherlondonjblippincott
