The International Studio /June 1915 . si >d as non- ovemmental as op] d to the Hakuba-kai which had the reputation of being bureau, ratic, owingmainly to thi >ffi< ction maintained by its to acquire further practice in the art of oil 1899 Voshida Hiroshi, Kanokogi Takeshiro,Mitsutani Kunishiro, and Nakagawa Hachiro leftJapan for France, where they remained for a few-years, much to the improvement of their art. The Hakuba-kai ceased to exist some fouryears ago, and soon afterwards the Kofu-kai wasorganised by Yamamoto Morinosuke, NakazawaHiromitsu, Kobayashi Shokichi, and o
The International Studio /June 1915 . si >d as non- ovemmental as op] d to the Hakuba-kai which had the reputation of being bureau, ratic, owingmainly to thi >ffi< ction maintained by its to acquire further practice in the art of oil 1899 Voshida Hiroshi, Kanokogi Takeshiro,Mitsutani Kunishiro, and Nakagawa Hachiro leftJapan for France, where they remained for a few-years, much to the improvement of their art. The Hakuba-kai ceased to exist some fouryears ago, and soon afterwards the Kofu-kai wasorganised by Yamamoto Morinosuke, NakazawaHiromitsu, Kobayashi Shokichi, and others. Iwas strongly insisted upon at the time of itorganisation that the Kofu-kai was formed inde-pendently of the Hakuba-kai, but it was generallylooked upon as its rebirth under a new was some reason for so regarding it, for itspromoters were for the most part Mr. Kurodasmonjin. However, one thing is to be observed :the new society is free from the bureaucratic air ofits predecessor. It is natural that it should be so,.
Size: 1866px × 1340px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., book, bookcentury1900, booksubjectcalifornia, booksubjectsandiego
