. International Studio an Illustrated Magazine of Fine and Applied Art. pii:rrk I.^^rIERE INVENTOR OK LUMIERE COLOR PLATE HY GERTRUDEKASEBIER XXI The New Color PJiotograpJiy. ALFRED STIEGLITZ While this autochrome process is as yet notwholly devoid of faults and has its limitations likeevery other process, it has, nevertheless, a muchwider range than was at first supposed. This hasbeen convincingly demonstrated in the initial color-photographs made by Eduard J. Steichen, AlfredStieglitz and Frank Eugene, who were about thefirst to explore the artistic resources of the experiments mad


. International Studio an Illustrated Magazine of Fine and Applied Art. pii:rrk I.^^rIERE INVENTOR OK LUMIERE COLOR PLATE HY GERTRUDEKASEBIER XXI The New Color PJiotograpJiy. ALFRED STIEGLITZ While this autochrome process is as yet notwholly devoid of faults and has its limitations likeevery other process, it has, nevertheless, a muchwider range than was at first supposed. This hasbeen convincingly demonstrated in the initial color-photographs made by Eduard J. Steichen, AlfredStieglitz and Frank Eugene, who were about thefirst to explore the artistic resources of the experiments made by these three Americansin Paris, last summer, furnished conclusive evi-dence of the wide scope of the Lumiere methodwhen employed by experienced first examples, which were recently shownto the public by Mr. Stieglitz, at the Photo-Secession, 2gi Fifth Avenue, include still-lifestudies, genre pictures and portraits in which thecolors have been reproduced with surprisingfidelity and with a richness and briUiance of tonethat, in some cases, rival those of an oil painting. These autochrome plates are made sensitive tothe colors of natural objects by


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