. Bibliotheca Spenceriana; or, A descriptive catalogue of the ... library of George John, earl Spencer . ketch ; and I make no apology to the reader forpresenting him with a very literal version of the whole of whathe has said concerning Sophonisba and her family .^f Walpole, * ITie name is variously spelt in Vasari. The artist lierself writes it as above. t But Sophonisba, of Cremona, daughter of M. Amilcaro Angusciuola, haswith more care, and with a better grace, than any other lady of her time, prac-tised the art of painting: for she not only knew how to draw, colour, paintfrom nature, and
. Bibliotheca Spenceriana; or, A descriptive catalogue of the ... library of George John, earl Spencer . ketch ; and I make no apology to the reader forpresenting him with a very literal version of the whole of whathe has said concerning Sophonisba and her family .^f Walpole, * ITie name is variously spelt in Vasari. The artist lierself writes it as above. t But Sophonisba, of Cremona, daughter of M. Amilcaro Angusciuola, haswith more care, and with a better grace, than any other lady of her time, prac-tised the art of painting: for she not only knew how to draw, colour, paintfrom nature, and copy excellently from the works of others, but has also com-posed some most rare and beautiful things herself. From which circumstancePhilip, King of Spain, having heard from the Duke of Alva of her tHlents,sent for her, and had her honourably conducted into Spain, where he placedher about the Queen, with a large pension, and with the admiration of all thatcourt. And therefore it is not to be wondered at that M. Tommuso, a Ro-man gentleman, sent to the Duke Cosimo, besides a picture by tlie divine I. S(D)lf ]BL®IfSSIBA AM(^(0)SCII(O)LA - Origiioal FmaUng WlhiEirself in. tike dMleiy at yt!Li?copyright:ip. Vfs/?t-r Tc-rfif :Dtb&Ud^e2. THE DINING ROOM. 7 in his Aiiecdotes of Painting, vol. ii. p. 97, edit. 17G5, noticesthis very picture; as also does Pilkington, in his Dictionary of Michel Angelo, in which is a Cleopatra, another picture by Sophonisba, of agirl laughing at a boy, who is crying; she having placed before him a basketfull of lobsters, one of which has bitten hir> finger. The beauty and truth ofthis painting cannot be too much praised; and therefore, in memory of thetalents of Sophonisba, (Italy having fcAV of her productions, on account of herresidence in Spain,) I have introduced the mention of it in my collection ofdrawings. We may therefore say with truth of her, like the divine Ariosto, Le Donne son venute in eccellcjiza Di ciascun arte ov hanno post
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