An introduction to the study of prehistoric art . Fig. 20.— Musk ox. Bruniquel. (Natural size.)Switzerland.^ (From Cav. FoHtde Gatime.) ^ Rev. de VEcole dAnthrop., Paris (1906), p. 51, Fig. Cav. dAltamira, p. 258, Fig. 182. ^ Mitt, der Antiq. Gesellsch. Zurich (1875), Band XIX, Heft i, , Fig. 66 : Piette, V Art pendant V Age du Renne, Plate VI, Fig. 2. 24 PREHISTORIC ART Another example carved in horn was discovered in theTrou des Forges at Bruniquel (Tarne et Garonne)^ (Fig-20). Carving in champleve is seen in the form of a Sealon the vertebra of an ox, from a cave at Brassempouy(L
An introduction to the study of prehistoric art . Fig. 20.— Musk ox. Bruniquel. (Natural size.)Switzerland.^ (From Cav. FoHtde Gatime.) ^ Rev. de VEcole dAnthrop., Paris (1906), p. 51, Fig. Cav. dAltamira, p. 258, Fig. 182. ^ Mitt, der Antiq. Gesellsch. Zurich (1875), Band XIX, Heft i, , Fig. 66 : Piette, V Art pendant V Age du Renne, Plate VI, Fig. 2. 24 PREHISTORIC ART Another example carved in horn was discovered in theTrou des Forges at Bruniquel (Tarne et Garonne)^ (Fig-20). Carving in champleve is seen in the form of a Sealon the vertebra of an ox, from a cave at Brassempouy(Landes)- (Fig. 24). The spongy structure of the in-terior parts of many bones, and the fatness of others,detract from their value for carving either in the round orin relief. This disadvantage in the case of flat bones ap-pears to have given rise to a method of working termedgravttres a contours d(^coup^s, which is of much interest if,.
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