Prehistoric Thessaly; being some account of recent excavations and explorations in north-eastern Greece from Lake Kopais to the borders of Macedonia . ent, which arepainted outside in the style of B3;8 and inside in the style of the secondcategory of B3a. Both insiile and out the patterns are the same as thosetypical of 1130. 142 fsniii, Pottery B3y. Three-colour ware, four pieces of fruitstands and six otherfragments were found in III. B38. Black on red ware, this is common in III: there are sixteensherds in II and two sherds in IV. This differs from the second categoryof B3a in the character
Prehistoric Thessaly; being some account of recent excavations and explorations in north-eastern Greece from Lake Kopais to the borders of Macedonia . ent, which arepainted outside in the style of B3;8 and inside in the style of the secondcategory of B3a. Both insiile and out the patterns are the same as thosetypical of 1130. 142 fsniii, Pottery B3y. Three-colour ware, four pieces of fruitstands and six otherfragments were found in III. B38. Black on red ware, this is common in III: there are sixteensherds in II and two sherds in IV. This differs from the second categoryof B3a in the character of the patterns and in the shapes of the vases. Thepatterns are always linear, and cover only a small part of the surface of thevase, and sometimes in blank spaces crosses or wavy lines are put in to fillup the field. There are two main shapes, {a) large-bodied jugs with highnecks and handles running from the shoulder to the neck, (b) wide ,handieless, with tall incurving sides and apparently concave bottoms. Othersmall fragments do not seem to belong to either of these shapes, but are toominute to enable their true shape to be Flc. 87. Tsani Maghula ; fragment of B3/3 ware (scale i : 2). B3£. Brown on buff ware, several pieces were found in III, and onlyfour sherds in II. Three pieces are from small jugs like those from Tsangli,others come from large bowls or jugs, the exact shape of which cannot bedetermined, though they were perhaps like Fig. 54 c, d from Tsangli. Thisware is closely related to B3S, the main difference being the colour of theclay. The paint is usually matt. 63^. Three-colour ware, three fragments were found in III. FiyS. Grey on grey ware, there were seven fragments in I C and itwas fairly common in II and III. The biscuit, which is usually polished,is most often silver grey, but occasionally pink in colour, and is decoratedwith simple linear patterns in deep grey (PI. I\ 5, 6). On better specimensthe paint is almost black. The commonest s
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishercambr, bookyear1912