Harmony, its theory and practice . The following passage shows this resolution : (^^ ^ ^ Handbl. Messiah. Ex. 191. The only point requiring notice here is, that a rest is introducedbetween the discord and its resolution. It must be rememberedthat during a rest the mental effect of the last preceding harmonyalways continues; if this harmony be, as here, a discord, itmust be resolved in the chord following the rest. 264. Another, though much rarer, resolution of V7i/isseenIn our next examples. Bach. Cantata; Schau, iieber Gott, wie meine Feind/ Ex. 192. Ex. 1^ D: ^!^d Here the chord is resolv
Harmony, its theory and practice . The following passage shows this resolution : (^^ ^ ^ Handbl. Messiah. Ex. 191. The only point requiring notice here is, that a rest is introducedbetween the discord and its resolution. It must be rememberedthat during a rest the mental effect of the last preceding harmonyalways continues; if this harmony be, as here, a discord, itmust be resolved in the chord following the rest. 264. Another, though much rarer, resolution of V7i/isseenIn our next examples. Bach. Cantata; Schau, iieber Gott, wie meine Feind/ Ex. 192. Ex. 1^ D: ^!^d Here the chord is resolved ori the rare second inversion of vi—asecondary triad, which proceeds to vii°^. The only satisfactoryposition for this progression is that seen in these two passages:in N]d, the root must be in the upper part, and must of coursemove in contrary motion to the bass. The contrary, motionmust also continue to the following chord, vii°^, all the parts Qup. VIII.] Chord of the Dominant Seventh. 109 moving by step. The chord v\c has here the character of apassing chord (See Chapter X.). The progression we arediscussing {yid, vir, vii°^), is never found in a minor key. 265. It is very rare in four-part harmony to meet with thederivative of this inversion, which, the student will see, is vii°^.An example of this chord has been given in Ex. 122. 266. A very important point to be noticed with regard tothe treatment of fimdamental discords is that the dissonant notesmay be transferred from one part of the harmony to another,provided that they are properly r
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