Legends of the Madonna, as represented in the fine artsForming the third series of Sacred and legendary art . 84 Vera Effigie della Santissima Vergine Bambina die si venera nella Chiesa di Civitanova. THE PRESENTATION OF THE VIRGIN. 163. 85 Presentation. (V. Carpaccio.) The Presentation of the Virgin. Ital. La Presentazlone, ove nostra Signora piccioletta sale i gradi delTempio. Ger. Joachim und Anna weihen ihre Tocliter Maria imTempel. Die Vorstellung der Jungfrau im Tempel. In the interval between the birth of Mary and her conse-cration in the temple, there is no incident which I canremember
Legends of the Madonna, as represented in the fine artsForming the third series of Sacred and legendary art . 84 Vera Effigie della Santissima Vergine Bambina die si venera nella Chiesa di Civitanova. THE PRESENTATION OF THE VIRGIN. 163. 85 Presentation. (V. Carpaccio.) The Presentation of the Virgin. Ital. La Presentazlone, ove nostra Signora piccioletta sale i gradi delTempio. Ger. Joachim und Anna weihen ihre Tocliter Maria imTempel. Die Vorstellung der Jungfrau im Tempel. In the interval between the birth of Mary and her conse-cration in the temple, there is no incident which I canremember as being important or popular as a subject of art. It is recorded with what tenderness her mother Annawatched over her, how she made of her bedchamber a holyplace, allowing nothing that was common or unclean to enterin ; and called to her ^^ certain daughters of Israel, pure andgentle, whom she appointed to attend on her. In some ofthe early miniature illustrations of the Offices of the Virgin,St. Anna thus ministers to her child; for instance, in a Y 2 164 LEGENDS OF THE MADONNA. DAgincourt, beautiful Greek MS. in the Vatican, she is tenderly puttingher into a little bed or cradle, and covering her up. It is not said anywhere t
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Keywords: ., bookcentury1800, bookdecade18, booksubjectmaryblessedvirginsaint
