The antique Greek dance, after sculptured and painted figures . Fig. 303. Fig. 304. are a reconstruction, by means of photography, of the different mo-ments of the same Step, and show how the feet were held in all move-ments of this nature. Fig. 306: Initial Position: III or V on the toes. Fig. 307 : First step : right leg 308 : Second step : left leg 309 : Third step : right leg 303 corresponds in moment to Fig. 307,the same as Fig. 301. A different aspect is pre-sented by the modern dancer from this daughterof Zeus, through turning the feet sidewise,
The antique Greek dance, after sculptured and painted figures . Fig. 303. Fig. 304. are a reconstruction, by means of photography, of the different mo-ments of the same Step, and show how the feet were held in all move-ments of this nature. Fig. 306: Initial Position: III or V on the toes. Fig. 307 : First step : right leg 308 : Second step : left leg 309 : Third step : right leg 303 corresponds in moment to Fig. 307,the same as Fig. 301. A different aspect is pre-sented by the modern dancer from this daughterof Zeus, through turning the feet sidewise, ac-cording to a rule already stated (97). The dif-ference in costume explains a part of the unlike-ness. The long tunic of this dancer is drapedaccording to the fashion of the fifth century B. C. (Figs. 138, 155,161 and Plate IV). 242. At first sight the Figs. 310 and 311 would seem to be walk-ing on the toes. The first is walking, the second makes the running
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Keywords: ., bookcentury1900, bookdecade1910, bookpublisherl, booksubjectdance
