. Points of the horse; a treatise on the conformation, movements, breeds and evolution of the horse. Horses. 310 THE PAINTER'S HORSE. CHAPTER XXXII. THE PAINTERS HORSE Horses have been treated by painters, and also by sculptors, m a very unhandsome way, and especially by English so- e Pdffer do^^rc* Pairocel. Fig 397—[Copiedftoin Dtchousset) LOUIS XV. called artists who continue to perpetuate the conventional or stencil-plate animal in a style long since forsaken by con- tinental draughtsmen. There are, of course, several brilliant exceptions. The most usual faults of conformation to be seen i
. Points of the horse; a treatise on the conformation, movements, breeds and evolution of the horse. Horses. 310 THE PAINTER'S HORSE. CHAPTER XXXII. THE PAINTERS HORSE Horses have been treated by painters, and also by sculptors, m a very unhandsome way, and especially by English so- e Pdffer do^^rc* Pairocel. Fig 397—[Copiedftoin Dtchousset) LOUIS XV. called artists who continue to perpetuate the conventional or stencil-plate animal in a style long since forsaken by con- tinental draughtsmen. There are, of course, several brilliant exceptions. The most usual faults of conformation to be seen in horse pictures, are absurdly small heads and ex- travagantly long hind-quarters, from point of hip to point of buttock, as we may see in Figs. 397 and 398. The former is a sketch of an equestrian portrait, by the French. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Hayes, M. Horace (Matthew Horace), 1842-1904. London, W. Thacker & co
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Keywords: ., bookcentury1800, bookdecade1890, booksubjecthorses, bookyear1897
