Beethoven and his nine symphonies . ^ r <Hfr r r ri ere*. f Grove.—Beethovens Nine Symphonies.—Novellos Edition. 0 26 SECOND SYMPHONY. But though square in cut it is by no means wanting inspirit; and the fiery flash of the fiddles in the interval betweenthe two sections of the subject (bar 4 of the quotation) issplendid, and gives a good specimen of the extraordinaryenergy which imbues that seraphic instrument throughoutthe entire work. The passage which connects this theme with the second,though broad and free, has not entirely lost the character of padding, which these conne
Beethoven and his nine symphonies . ^ r <Hfr r r ri ere*. f Grove.—Beethovens Nine Symphonies.—Novellos Edition. 0 26 SECOND SYMPHONY. But though square in cut it is by no means wanting inspirit; and the fiery flash of the fiddles in the interval betweenthe two sections of the subject (bar 4 of the quotation) issplendid, and gives a good specimen of the extraordinaryenergy which imbues that seraphic instrument throughoutthe entire work. The passage which connects this theme with the second,though broad and free, has not entirely lost the character of padding, which these connecting links too often bear in theSymphonies of the earlier masters; and does not spring outof the vital material as it does in Beethovens subsequentwork—. The second theme itself— No. 6. ? » » ? lolins ff *?
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Keywords: ., bookcentury1800, bookdecade1890, booksubjectsymphon, bookyear1896
